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£46.99
inc. vat | Ibanez Tone-Lok Series SM7 Smash Box Effects Pedal
The Smashbox is the most aggressive weapon in the TONE-LOK distortion arsenal. Armed with obscene amounts of gain, tight low end, and searing highs, the Smashbox is THE heavy rock sound for the contemporary guitarist.
In stock. Ships 1 to 2 working days | |
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| Ibanez Classic Series WD7 Weeping Demon Wah Effects Pedal
The most variable and controllable wah you can get. The Weeping Demon's shrieks, cries,wails and seductive siren songs will have your audience screaming for more. The Weeping Demon features spring and normal footboard action, selectable wah range, fine tuning controls and more. |
| Ibanez Tone-Lok Series DS7 Distortion Effects Pedal
The most versatile Ibanez distortion pedal ever, the DS7 is capable of producing a wide range of smooth, dynamic overdrive tones. From a subtle tonal nudge to walloping rock'n roll crunch, the DS7 delivers days of sustain and gobs of gain. |
| Ibanez Tone-Lok Series PD7 Phat Hed Effects Pedal
Why let guitarists rule the stage? Loaded with growling low-end distortion, the PD 7 levels the playing field for the rock bassist. The PD7 is armed with three pre-amp style voicings and an attack control switch, which accents the amount of harmonic content in your sound. With DRIVE, LO, HI, and LEVEL knobs, dialing in a thunderous bass sound has never been easier. |
| Ibanez Tone-Lok Series SB7 Synthesiser Bass Effects Pedal
If you're looking for new tones or you're still smoldering with resentment against synth bass keyboard players who took our gigs in the 80's, the SB7 is the ticket. You've got real time feel'in other words no annoying tracking errors and delays. You can even play chords. Then there's a funky auto-wah (think "Theme from Shaft"), an 80's style synth bass sound (now it's our turn to take THEIR gigs), and a deep and heavy synth bass. And although we know it's oh-so-very-crass to talk price when we're talking art, before you shell out your hard earned bucks on a bass synth effect, check the price of ours vs. "the other guy's." H'mmm. |
| Ibanez Tone-Lok Series FZ7 Fuzz Effects Pedal
Far out! A complete 60's flashback with none of the drawbacks, the FZ7 is the ultimate in psychedelic fuzz. With the FZ7's TONE, DRIVE, and LEVEL controls, it's never been easier to get the right retro tones. You can even engage the DAMAGE switch for that ratty, broken speaker sound. Yeah, baby, yeah!! Dial in, tune up, drop down or whatever turns you on. |
| Ibanez Classic Series TS9 Classic Tubescreamer Effects Pedal
Our Tubescreamer reissues feature the same careful hand wiring and analog circuitry of the original classics. Both the TS9 reissue and TS9DX feature the TA75558 chip used in most of the original TS9's with the TS9DX adding three settings for increased low-end crunch. The 2004 reissue of the TS808, described as "the Holy Grail of Tubescreamers," features the warm tones of the JRC4558D chip used in most of the original TS808's. |
| Ibanez Tone-Lok Series PM7 Phase Modulator Effects Pedal
If you've gone through one phase after another, maybe it's time for the final phase. The PM7 Phase Modulator offers three types of waveforms to give you everything from classic phaser to DJ effects to toy ray gun sounds. Since good things come in threes, the PM7 also has three phase stages: vintage, deep and dry, and deep and pronounced. With some minor tweaking, the PM7 goes from traditional to 21st century and beyond. |
| Ibanez Tone-Lok Series AW7 Autowah Effects Pedal
There are autowahs. And there are autowahs. But the TONE-LOK AW7 isn't just any autowah. It's got standard wah where both the highs and lows are cut and it's got a wah setting where the only the highs are cut. And it's got distortion. Setting level of "SENS" control at "0" provides the sound of a standard wah pedal left at one setting (a favorite wah pedal technique of Joe Satriani). You can even change the chain order of the effects to get different tones: either distortion to wah or wah to distortion. |
| Ibanez Tone-Lok Series LF7 Lo-Fi Effects Pedal
The first dedicated filter pedal for the guitar, the LF7's voltage controlled analog high and low pass filters allow you to emulate transistor radio and megaphone type sounds. Best used at the end of a signal chain in combination with other pedals, this ticking time bomb creates wide soundscapes of far out tones that previously required a massive rack of analog electronics. The Lo Fi also performs equally well with vocals, drum machines or in any "mix-down" context. |
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